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In defence of literary synaesthesia

In defence of literary synaesthesia

By Úrsula Doetsch Kraus

English 840 pages 2023 ISBN 9788431345532
Estimated reading time: 15 h 24 min
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About this book

Todos nuestros libros digitales y audiolibros están disponibles a un precio de 1,99€ por la compra de la versión en papel. En la edición impresa encontrarás un cupón canjeable en esta biblioteca virtual, de manera que puedes acceder a todos los formatos por solo un poco más del precio del libro impreso. Comprar papel + eBook / 42,90€+ 1,99€ The title of the book says it all: an in-depth study of one of the most controversial topics in literary criticism: literary synæsthesia, for which, despite the extensive literature on the subject, no solid definition and classification has yet been found, thus accounting for the persistent confusion which still surrounds it. Adopting a persistently constructive yet critical perspective, the author establishes clear guidelines as to how to analyse, interpret and classify literary synæsthesia and distinguish it from other figures with which it is often confused, and further shows that literary synæsthesia is composed of two diametrically different categories, the first of which is labelled genuine synæsthesia, the literary synæsthesia par excellence, and the second poetic synæsthesia. The first of these, as she shows at length throughout the work, remains largely unknown to this day. The book focuses on the disassociation of literary synæsthesia from all types of metaphor, especially “synæsthetic metaphor” or pseudosynæsthetic metaphor and, above all, from psychological synæsthesia. The cornerstone on which the work is based and which, she insists, must underlie every attempt to analyse this phenomenon, is laid on a prior, thorough, lexical-pragmatic analysis of the elements which compose the expression in question, as well as being dependent on the reader/analyst’s knowledge of this figure of speech and her understanding of what is being communicated. Without these,  no cross-sensory or non-cross-sensory association can be interpreted or determined. The present treatise is a vital testimony to what literary synæsthesia is and is not, and is intended to contribute to a clear understanding and underpin the reasons for its isolation and analysis, thus filling the apparent gap in current research on literary synæsthesia and thus preventing further misinterpretation and justifying its existence.  An analysis of the literary synæsthesias and other cross-sensory and non-cross-sensory associations to be found in the poetic output of Ted Hughes serves to consolidate and exemplify the theory and typology of literary synæsthesia proposed and defended in this research. The work will, no doubt, bring about a paradigm shift in the recognition, conceptualisation, and treatment of literary synæsthesia.

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Audience
adults
Language
English
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In what formats is In defence of literary synaesthesia available?
In defence of literary synaesthesia is available as PDF at 1 online bookshop.
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How long does it take to read In defence of literary synaesthesia?
At an average reading pace, In defence of literary synaesthesia takes about 15 h 24 min to read (840 pages).

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