Making Faces
Published by University of Hawaii Press
English
162 pages
2012
ISBN 9780824837242
PDF
Buy at Association of University Presses - Tienda FILUNI
🇺🇸
Catademic
🇺🇸
Visit store →
Bajalibros Latam
🇺🇸
Visit store →
Association of University Presses - Tienda FILUNI
🇺🇸
Visit store →
Ebooks Librería Antártica
🇨🇱
Visit store →
Ebooks Agustin
🇪🇸
Visit store →
Bajalibros Argentina
🇦🇷
Visit store →
Sanborns Ebooks
🇲🇽
Visit store →
ebooks Libreria del GAM
🇨🇱
Visit store →
Bookshop Uruguay
🇺🇾
Visit store →
ebookskitapenas
🇬🇹
Visit store →
Ebooks Yenny - El Ateneo
🇦🇷
Visit store →
Crisol Ebooks
🇵🇪
Visit store →
Available at 12 bookshops
Catademic
🇺🇸
Visit store →
Association of University Presses - Tienda FILUNI
🇺🇸
Visit store →
Ebooks Librería Antártica
🇨🇱
Visit store →
Ebooks Agustin
🇪🇸
Visit store →
Sanborns Ebooks
🇲🇽
Visit store →
ebooks Libreria del GAM
🇨🇱
Visit store →
ebookskitapenas
🇬🇹
Visit store →
Ebooks Yenny - El Ateneo
🇦🇷
Visit store →
Crisol Ebooks
🇵🇪
Visit store →
About this book
<p>Taberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill-villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities<i> (mohras) </i>out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a <i>mohra </i>has been completed and consecrated, its maker is not permitted to touch it or enter the temple in which it is housed; yet during its creation the artist is sovereign, treated deferentially as he shares living quarters with the high-caste patrons.<br><br><i>Making Faces</i> tells the story of these god-makers, the gods they make, and the communities that participate in the creative process and its accompanying rituals. For the author, the process of learning about Himachal, its art and artists, the people who make their home there, involved pursuing itinerant artists across difficult mountainous terrain with few, if any, means of communication between the thinly populated, high-altitude villages. The harsh geography of the region permits scant travel, and the itinerant artisan forms a critical link to the world outside; villages that commission mohras are often populated by a small number of families. Alka Hingorani evokes this world in rich visual and descriptive detail as she explores the ways in which both object and artisan are received and their identities transformed during a period of artistic endeavor.<br><br><i>Making Faces</i> is an original and evocative account, superbly illustrated, of the various phases in the lifecycle of a mohra, at different times a religious icon, an art object, and a repository of material wealth in an otherwise subsistence economy. It will be welcomed by scholars and students of anthropology, material culture, religion, art history, and South Asian studies.</p>
- Language
- English
Share
You might also like
Art and Civilization of Persia
Lukonin, Vladimir, Ivanov, Anatoli
The Zoomorphic Imagination in Chinese Art and Culture
Die Kunst Zentralasiens
Lukonin, Wladimir, Iwanow, Anatoli
Impressions of Ukiyo-E
von Seidlitz, Woldemar, Amsden, Dora
Kamasutra
Lamairesse, E., Vatsayana
Ukiyo-e - grabado japonés
Amsden, Dora, von Seidlitz, Woldemar